By: Lena Marin
Why refer a work that, to our own judgement has no remarkable standing value? What criteria decides the choosing of that work? And first of all what is the point of criticising it?
Are those questions enough to arise doubts about Marco Marzoni´s proposal?
Criticising is done not only in order to guide through new proposals, but also to set a landmark on future critics. These texts, therefor are offered to add sides to the already complex prism which the other, the reader uses to build their own experience on one work or another.
With: Lena Marin
The line, the stroke point to the pulse, but sometimes they speak for it. Tension, in these cases, is present throughout the finished work (which becomes a portal), recreates the process of its inception in reverse and reveals a purpose. A course.
If we remember that not all purpose implies necessarily knowledge, but always the urge to provoke a reaction, to confront and, in the best of cases, to question, then we can make ourselves an idea about how to open our senses to this wordless message.
With Red Tweny we have the opportunity to talk about this peculiar form of eloquence.